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The latest Notion scoring package offers upgraded orchestral samples, VST compatibility and a host of new features. Will it score highly with the musical community?
Notion's scores are typically clean and tidily presented. The fretboard is a welcome addition from Notion Music's Progression guitar notation package.
Notion, the innovative scoring‑plus‑playback package created by US company Virtuosoworks, has been on the scene for around five years. The inclusion of an orchestral sound library recorded by the London Symphony Orchestra is a big selling point, enabling composers to hear their musical visions rendered by top players. Since its release in 2005, Virtuosoworks have changed their name to Notion Music and the program has been rebuilt from scratch, culminating in the release of the radically upgraded Notion 3.
(Read the SOS review of the original program at ). An unhelpful quirk of the original software — not being able to hear samples as you recorded parts — has now been fixed. Another important, and very welcome, new feature is that Notion can now run VST software instruments and samplers such as Kontakt, EastWest Play, Vienna Instruments, Vienna Ensemble, Modartt Pianoteq and so forth.
The sonic and musical advantages are endless: as well as hearing the LSO playing your scores, you can add instruments from your favourite sound libraries. To facilitate this, Notion 3 provides presets for EWQL Symphonic Orchestra (Platinum Play Edition), Garritan Personal Orchestra (ARIA), Miroslav Philharmonik and Vienna Symphonic Library's Special Edition and SE Plus collections.
Notion 3 will also run third‑party effects such as IK Multimedia's CSR Hall Reverb and Amplitube X‑Gear amp simulator (both bundled with the program), and indeed any other VST effects installed on your computer. A new, fully featured mixer page incorporates a nifty 'power pan' control for each channel, which lets you adjust stereo width as well as placement.
The program now supports ReWire, enabling audio and MIDI to be freely streamed between different programs on the same computer. This new functionality means that, in the immortal words of TV character Arthur Daley, 'the world's your lobster”: the program has become more connected, and its compatibility with other popular tools of the trade should help ensure its survival in the marketplace. The new‑look mixing console incorporates an interesting 'power pan' control, which can adjust width as well as placement in the stereo field.
M macbeth serial. In my October 2006 review, I sung the praises of Notion's string ensembles but criticised some solo instruments. The solo trumpet, in particular, was so off the money that it sounded to me like an oboe. The sound library has now been completely reprogrammed and features close‑miked stereo samples from the original sessions throughout; this drier presentation allows the character of the instruments to come through and also makes it more feasible for users to add their own reverb effects. As a result, I can report that the offending solo instruments are much improved and the trumpet now sounds like the real thing!
Notion 3 retains its original samples along with the reprogrammed ones, which is a boon to users who want to continue working on earlier projects. The new and old sample sets total 15GB. Former add‑on instruments (solo strings, euphonium, piccolo clarinet, contrabassoon, marimba, vibraphone and extra hand percussion) are now included in the core library. Played with soft and hard mallets at different motor speeds, the vibes also offer some cool, ethereal, bowed samples, a sign that the library has moved beyond the basics into the realm of more adventurous articulations. New rock and jazz instruments include playable Clavinet and Rhodes keyboards, sampled, as far as I can tell, at two and five dynamics respectively. Electric and acoustic guitars, bass guitar, upright bass and drum kit have all been very decently multisampled, and if you want to rock out, the Amplitube X‑Gear plug‑in will transform the clean guitar into a raging, overdriven tribute to the Gods of Metal.