A7167 19 709 04— dc20 CIP Typeset in 10 on 12pt Ehrhardt by Pure Tech Corporation, Pondicherry, India Printed and bound in Great Britain by TJ International Ltd, Padstow, Cornwall This book is printed on acid-free paper Summary of Contents I The Legacy of Symbolism A Classicism and Originality B. Dear Internet Archive Supporter. I ask only once a year: please help the Internet Archive today. We're an independent, non-profit website that the entire world depends on. Most can't afford to donate, but we hope you can. The average donation is about $41. If everyone chips in $5, we can keep this going for free.
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Not to be confused with. Conceptual art, sometimes simply called conceptualism, is in which the (s) or (s) involved in the work take precedence over traditional, technical, and material concerns. Some works of conceptual art, sometimes called, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist 's definition of Conceptual art, one of the first to appear in print: In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.
The idea becomes a machine that makes the art. Tony Godfrey, author of Conceptual Art (Art & Ideas) (1998), asserts that conceptual art questions the nature of art, a notion that elevated to a definition of art itself in his seminal, early manifesto of conceptual art, 'Art after Philosophy' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic 's vision of Modern art during the 1950s.